Mieszkanie Poezji, spotkanie z Jackiem Bieleńskim – taki tytuł miało wydarzenie, które tak naprawdę okazało się zakamuflowanym concert. Knowing his work, one might have expected this outcome, so no wonder many visitors came to the club Opium.
I not disappointed, because Bieleński really did not intend to meet to talk about poetry, but in order to present their texts to the sound of music. To participate in a concert artist, invited well-known in Lublin from the band Pulp Gadzało Charles (bass) and Sebastian Pikul (guitar, melodica).
Bieleńskiego Songs could be described as poetry lounge bar. The poems are about alcohol, women, relationships with them (usually unhappy), and an example of a male, dark lyrics. A lot of vulgar words in them, strengths, so if someone came to the meeting completely at random, could be confused - after all the meetings of the poetic many expect quite different impressions.
To give the spirit of this work will use a quote from one song: "When I look at you I feel like in March niedorżnięty cat" - is one of the milder passages relating to the sexual sphere. But it's hard to say whether the creator seeks in this way flatterers, or may complain of sexual failure, whose cause is the addressee of utterances. Topics
poems and vocabulary used in them are not able to shock - the street is filled with such phrases and none of the recipients are not alien to vulgarity. The surprise could be caused only by the fact that the festival, whose mission is to promote poetry, there are events of this type. Indeed, this unjust law, because, as in "generalities" wrote Norwid, it's important to "give the appropriate things - the word." Totally not surprised
However, in this context that Bieleński in 2003, one of the concert in Lodz banned from public appearances at outdoor events in the city, on the other hand, which took place during the Festival of Dialogue of Four Cultures re-issued for his team's three-year ban on Plastic Bag performances precisely because of the lyrics.
must admit that these texts, although sometimes distasteful, but they are not devoid of high-efficiency literature. From prominent members of Latin backstairs different Bielecki much more developed imagery and originality of the verbal statements. You can not He objected that it only uses the scandalous expressions and that's just based on his work.
On stage, in addition to 2 / 3 team flesh could see yet another well-known figure in the Lublin environment. This was Zbigniew Kowalczyk, who played and sang two songs - one from their own repertoire, while the second, entitled "Sequin Beijing" from the album "Czech doll" by Jack Bieleńskiego Plastic Bag. This song was met with a wide audience, and the star of the evening prompted to return to the scene, which he left under the pretext of a break. Together they sung a song, voice, spiced with chunky chorus the audience proved that Bieleński has many recipients to whom the sensitivity gets his message.
Katherine Plebańczyk
* title was taken from a song Jack Bieleńskiego "Sequin Beijing"
IV Lublin City Meetings Literary Poetry, 1923-1929 in May 2011, Lublin
(text comes from the newspaper "The Fifth Wall" published during the festival)
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